Posts Tagged ‘russia

29
Apr
12

Diary of a Soviet Airwoman at War: Narrow Escape

Diary of Anna Yegorova, a young pilot in the Soviet Air Force during WWII. In this entry, the young lieutenant convinces a terrified soldier to help her save her Po-2 (aka U-2) biplane from being destroyed by enemy fire.

He seized my hand and pulled me, sometimes crawling, sometimes running, up the hill. The shells had already made a ruin of the windmill, its broken wings hanging down listlessly. The airplane, too, was riddled with bullet holes. 

As I climbed onto the wing, my terror finally caught up with me. Shock waves from the explosions had torn out the front seat and flung it into the instrument panel in the rear cabin. A thought flashed  through my mind: what if the plane was too damaged to fly? I jumped into the cockpit and made a cursory inspection. The damage didn’t seem too serious.

“Take hold of the prop!” I cried, but the driver had already done it without my invitation. “Pull it through a few rotations. Then pull down on the blade as hard as you can and jump out of the way.” 

“And-a-one!” he cried, yanking hard, and the propeller roared to life. The young driver vanished, as if whisked away on the propeller slipstream…

The Germans peppered the U-2 even more feverishly with bullets. I climbed out of the cabin to turn the aircraft so it pointed in the right direction. I don’t know where I found the strength to muscle the tail around. Fear probably played a large role…

I took off right under the Fascists’ noses and headed eastward. The sun had set, and twilight enveloped the land. I had no working instruments, but the engine was purring contentedly, and I was alive. But how would I land in the dark?

This is part 6 in a series of excerpts from Red Sky, Black Death, A Soviet Woman Pilot’s Memoir of the Eastern Front, by Anna Timofeyeva-Yegorova
12
Oct
11

Diary of a Soviet Airwoman at War: The Front Catches Up

Diary of a young Soviet airwoman, posted 70 years after WWII. In this entry (from late summer of 1941), Anna goes to insane lengths to prevent her U-2 biplane from being destroyed on the ground as a village is overrun by Germans.

The next shell exploded right next to the plane, splintering planks on the fuselage and wings. I shot into the cockpit and tried to start the engine. Nothing. I needed someone to hand-prop the plane. I spotted a military truck tearing at top speed down the road, rattling along with three good tires and a bare rim. I sprinted down the hill, trying to wave him down. The teen-aged driver tried to swerve around me, so without thinking, I whipped out my revolver and furiously riddled the remaining tires with bullets. He stopped, cursing me, and pulled out his rifle.

“Drop it,” I suggested, nodding toward his weapon. “You’d better help me start my plane.

The driver gaped at me. I don’t think he was expecting to hear a female voice. 

“Can’t you see the Fascists are here?” he said frantically. “They’ve broken through the front line. I’ve got to catch up to the others!”

“You’ll catch up,” I told him. “But I’ve got to get the plane started, and I need your help.”

“To hell with your plane! Get in the truck. Let’s get out of here before it’s too late.”

I glanced desperately at the U-2 as another blast shook her, shredding the little airplane’s fabric skin. The plane seemed to shiver with cold. 

“They’re going to destroy it!” I screamed, and yanked open the truck door. “Get out! I’ll only need you for a minute!”

“You’re out of your mind!” the boy said, obeying me at last. “Where’s the plane?”

I pointed up the hill, toward the windmill. “You’ve gone mad!” he shouted. “Look, they’re shooting the plane to pieces! Your bird is about to go up in flames…”

 

This is part 5 in a series of excerpts from a book I co-translated and edited in 2009: Red Sky, Black Death, A Soviet Woman Pilot’s Memoir of the Eastern Front, by Anna Timofeyeva-Yegorova

See Anna’s last entry                      See Anna’s next entry

21
Sep
11

WWII Photographs in “The Atlantic”

This summer, The Atlantic began running a weekly retrospective of World War Two—a series of photographs from different eras and theatres of that great war. The photographs are riveting, calamitous, heartrending.

Seventy years ago this summer, the German army invaded the Soviet Union, breaking a non-aggression pact between Stalin and Hitler and raining unimaginable destruction on Ukraine, Belarus, and Western Russia. From the last week of June, 1941 and through that summer and fall, the Nazi advance seemed inexorable, the USSR’s fall inevitable. In this installment of The Atlantic’s retrospective, you’ll see images of the German attack, nicknamed “Operation Barbarossa,” from the June 22 invasion to the Battle of Moscow.

Anna Yegorova, a young flight instructor in 1941, recalls the morning of June 22 in her memoir, Red Sky, Black Death. She and some aviatrix-girlfriends were having a picnic on a beautiful summer day:

(We) roosted on a blanket spread across the thick, sweet-smelling grass…The virgin forest uttered not a sound, sunlight filtered through the branches, and dew sparkled on the grass like diamonds. 

And then, suddenly, voices—unnaturally loud men’s voices, arguing. I turned my head toward where our male comrades had been sitting. A man…approached, his face darkened with alarm. His voice trembled as he said, “Girls, it’s war! I just heard it on the radio in the village.”

…Seconds after the pilot uttered those thunderous words, the scene before us transformed. The colors of the forest morning faded, and the once tranquil silence twisted into something ominous…

*In the next weeks and months, I’ll post occasional excerpts from her book, as if she were blogging about her experiences…seventy years after the fact. I don’t know exact dates in many cases, but the next few entries will be from the summer and fall of 1941, during Barbarossa’s catastrophic early months.

04
Jan
11

Autumn 1991

I fell in love and frustration with Russia, all at once, in autumn of 1991. I spent that fall semester studying at the Pushkin Institute in the outskirts of Moscow, as the Soviet empire fell. It was a thrilling and chaotic time: a week before we students arrived in Russia, I sat in front of a TV in a friend’s Venice apartment watching a coup unfold that effectively ended Soviet power and lifted Yeltsin and his kleptocrat oligarchy into the driver’s seat, for better or worse. (The jury’s still out, it seems…) The week we rode a train West to Finland, the USSR officially ceased to exist.

I didn’t know Yuri Shevchuk then, but I wish I had. He’s considered the Russian Bruce Springsteen, and he created what was effectively the anthem to that autumn (and the years that followed). Even in the few months I was there, I sensed a sea change–from the delirious optimism of early September, as people absorbed the fact of a new order rising, to a rapidly surging disillusionment, as that new order seemed to bring only chaos and want. The early 90s brought only more disappointment with the form “democracy” and a “free market” were taking in Russia, as criminals, it seemed, rose to power and stole everything in sight.

Shevchuk’s anthem of sorts, called Что такое осень / Chto takoe osen’ / What is Autumn?seemed to capture that feeling, for Russians at least (if not for citizens of other former Soviet republics)–disappoinment that democracy wasn’t living up to its promise, humiliation at their nation’s loss of influence, terrible uncertainty about what would happen next:

“What is Autumn? It’s the wind,
Playing again in the torn chains
Autumn, can we crawl, do you think, live until the sunrise?
Motherland and me, what shall befall us?
Autumn, can we crawl, do you think, live until the answer?
Tomorrow, you think, what shall befall us?”

Apparently, the 50-something Shevchuk isn’t planning to retire anytime soon from his role of rock-star political commentator. This morning’s NPR feature by Moscow correspondent David Green (“Yuri Shevchuk: Russia’s Musical Advocate For Democracy) details Shevchuk’s career, and a stunning televised face off with Vladimir Putin last year in which he asked the prime minister why Russians didn’t have a free press or trustworthy, uncorrupt police force.

Journalists and human rights workers in Russia and Chechnya have been beaten or killed for far less. Perhaps Shevchuk’s celebrity will shield him from a similar fate. Or perhaps he’ll find that the next time he plans a big concert in Russia or elsewhere, he’ll mysteriously be denied the proper permits and visas. Either way, Shevchuk, and Russians, deserve better.

28
Dec
10

The Places in Between

Reading a personal account like Yegorova’s, it’s easy to identify so strongly with the storyteller that one comes almost to accept her version of history. It’s no surprise that Yegorova tells her story through a filter of ideology; only a few of us are, at heart, Solzhenitsyns, who see and describe the world as it is, no matter how painful the view and the consequences.

As editor, I hoped to provide glimpses of a wider perspective on that history, by adding historical footnotes about events that Yegorova describes, events like the Warsaw Uprising and Stalin’s repression of the kulaks.

Unfortunately, I’m not a historian. But Anne Applebaum is, and anyone hoping to understand Yegorova’s milleu should scan my footnotes with a skeptical eye and move on quickly to Applebaum’s writings about Eastern Europe’s “borderlands” and the Soviet GULAG system.

Here’s a great place to get started: read Applebaum’s wonderful essay, “The Worst of the Madness,” from the New York Review of Books. She writes about the parade of genocides and occupations that beset the populations caught, geographically and politically, between Europe’s dueling mass murderers.

Many comparisons have been drawn between Hitler and Stalin, but less is known of their early collaborations and occasional shared interests: the Molotov-Ribbentrop Pact in 1939 doomed thousands of Polish citizens to slaughter by their Soviet and German occupiers–the murdered hardly cared whether they were done in by the Nazis or the NKVD. And the insurgents of the Warsaw Uprising, it seems, were viewed as enemies of both regimes–one of which slaughtered them outright, the other merely stood at the city’s outskirts and allowed it to happen.

Americans and Russians do have this in common: the desire to hold up our countrymen’s roles in WWII as a source of national pride and to see the story of that war as a simple one, in which freedom defeated tyranny. Applebaum doesn’t allow us to enjoy those cozy illusions, however. “If we remember the twentieth century for what it actually was, and not for what we imagine it to have been, the misuse of history for national political purposes also becomes more difficult,” she says.

“The modern Russian state often talks about the “twenty million Soviet dead” during World War II as a way of emphasizing its victimhood and martyrdom. But even if we accept that suspiciously large round number, it is still important to acknowledge that the majority of those were not Russians, did not live in modern Russia, and did not necessarily die because of German aggression. It is also important to acknowledge that Soviet citizens were just as likely to die during the war years because of decisions made by Stalin, or because of the interaction between Stalin and Hitler, as they were from the commands of Hitler alone.

For different reasons, the American popular memory of World War II is also due for some revision. In the past, we have sometimes described this as the “good war,” at least when contrasted to the morally ambiguous wars that followed. At some level this is understandable: we did fight for human rights in Germany and Japan, we did leave democratic German and Japanese regimes in our wake, and we should be proud of having done so. But it is also true that while we were fighting for democracy and human rights in the lands of Western Europe, we ignored and then forgot what happened further east.

As a result, we liberated one half of Europe at the cost of enslaving the other half for fifty years. We really did win the war against one genocidal dictator with the help of another. There was a happy end for us, but not for everybody. This does not make us bad—there were limitations, reasons, legitimate explanations for what happened. But it does make us less exceptional. And it does make World War II less exceptional, more morally ambiguous, and thus more similar to the wars that followed.”

 

It’s not only Yegorova, not only the citizens of a totalitarian state, who retool their histories for their own purposes. And just as in modern-day Russia, suggesting here in America that our role in WWII contained its own complications and compromises earns the questioner the damning epithet of “unpatriotic,” especially from veterans.

It’s understandable that veterans, more than anyone, would want to paint a black-and-white picture of their experience, just like Yegorova did. But to honor their sacrifice and suffering means to try valiantly to see the world as it really is, scars and all, and to shine a searing light on our own deeds, heroic and otherwise.

Perhaps by seeing our history in all its complexity, as Applebaum suggests, we might also begin to overcome our sometimes rather naive sense of isolation and exceptionalism. “The more we learn about the twentieth century,” she writes, “the harder it will be to draw easy lessons or make simple judgments about the people who lived through it—and the easier it will be to empathize with and understand them.”

Those unlucky millions who lived in Europe’s borderlands–14 million of them casualties of Hitler’s Lebensraum ambitions and Stalin’s murderous ideological “experiments”–don’t have the luxury of holding a simplistic view of 20th Century history.   Ask a Pole, Lithuanian, or Ukrainian for his opinion of the WWII “good vs. evil” paradigm sometime. His answer probably won’t be so simple.

For a glimpse into the Polish experience of WWII and the Cold War, rent or Netflix the movie, “Katyn” or read this review by Anne Applebaum.

 

 

Uneasy Allies, Busy Carving Up Europe




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